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supported by 14 fans who also own “Kenoma (Salò - Kraków)”
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace!
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supported by 14 fans who also own “Kenoma (Salò - Kraków)”
The technicality woven into every track is dizzying, especially considering the guitars and drums. Songwriting and arrangements are quite impressive, with intricacies allowing for some very dense structures to be built and unraveled without sounding unruly A strength with this band album is the balance they strike between melodic guitar components and ones that are strictly dissonant. When those two ends converge, particularly highlighted alongside a drop / break in the track, the tone is sour
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supported by 13 fans who also own “Kenoma (Salò - Kraków)”
Heaviest thing I’ve heard all year along with Altarage. Okay I’ve been listening to this record for the past two weeks and it just gets better and better. Dissonant grooves galore
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featured on Bandcamp Radio Jan 20, 2023
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Channeling philosophical quandaries into cavernous death metal, the Australian trio turn modern power struggles into an aural advantage.
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Oracular Hexations
by Diabolic Oath
featured on Bandcamp Radio Apr 12, 2024
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supported by 13 fans who also own “Kenoma (Salò - Kraków)”
atmospehric, gloom & eerie sound ...well done
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